{"id":3784,"date":"2023-12-11T21:03:22","date_gmt":"2023-12-11T20:03:22","guid":{"rendered":"https:\/\/laurasonnelund.dk\/?page_id=3784"},"modified":"2026-05-31T20:53:14","modified_gmt":"2026-05-31T19:53:14","slug":"creatures-of-the-woods","status":"publish","type":"page","link":"https:\/\/laurasonnelund.dk\/?page_id=3784","title":{"rendered":"PORTFOLIO"},"content":{"rendered":"\n<hr class=\"wp-block-separator has-css-opacity is-style-twentytwentyone-separator-thick\"\/>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-3\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:25%\">\n<p>2025 <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Glasskoven<\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\"><strong>da<\/strong><br>\u201cGlasskoven\u201d er en hyldest til skovbunden og forbindelsen mellem glasset og skovene. Forbindelsen er i f\u00f8rste omgang materiel: Skovene har dannet rammen om udviklingen af glaspusterindustrien i Skandinavien og Europa. Og mange steder kan man finde sm\u00e5 stykker waldglas med samme gr\u00f8nlige sk\u00e6r som det jernholdige kvarts i skovbunden, der blev blandet i glasmengen sammen med asken fra tr\u00e6ets afbr\u00e6nding i ovnene.<\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\">\u201cGlasskoven\u201d kredser om det punkt, hvor kontraster m\u00f8des: det kunstige og det naturlige, det transparente og det solide. Farverne imiterer waldglassets gr\u00f8nlige sk\u00e6r, og den matterede overflade skjuler glassets transparens. Laura Sonne Lund inviterer os til at g\u00e5 til objekterne med samme nysgerrighed, som n\u00e5r man unders\u00f8ger skovbundens landskab af hulrum og snoede r\u00f8dder.<\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\"><\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\"><strong>eng<\/strong><br>&#8216;The Glass Forest&#8217;<\/h2>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"2560\" height=\"1707\" src=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2830_sRGB_web_LR-1-edited-scaled.jpg\" alt=\"\" class=\"wp-image-5166\" srcset=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2830_sRGB_web_LR-1-edited-scaled.jpg 2560w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2830_sRGB_web_LR-1-edited-300x200.jpg 300w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2830_sRGB_web_LR-1-edited-1024x683.jpg 1024w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2830_sRGB_web_LR-1-edited-768x512.jpg 768w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2830_sRGB_web_LR-1-edited-1536x1024.jpg 1536w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2830_sRGB_web_LR-1-edited-2048x1366.jpg 2048w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2830_sRGB_web_LR-1-edited-1568x1046.jpg 1568w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><figcaption class=\"wp-element-caption\"><em><sub><em>&#8216;<\/em>Glasskoven&#8217;<em> \/ 20<\/em>25 \/ foto: Jacob Friis-Holm Nielsen<\/sub><\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2897_sRGB_web_LR-edited-1.jpg\" alt=\"\" class=\"wp-image-5164\" width=\"620\" srcset=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2897_sRGB_web_LR-edited-1.jpg 1772w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2897_sRGB_web_LR-edited-1-300x300.jpg 300w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2897_sRGB_web_LR-edited-1-1024x1024.jpg 1024w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2897_sRGB_web_LR-edited-1-150x150.jpg 150w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2897_sRGB_web_LR-edited-1-768x768.jpg 768w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2897_sRGB_web_LR-edited-1-1536x1536.jpg 1536w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2897_sRGB_web_LR-edited-1-640x640.jpg 640w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2897_sRGB_web_LR-edited-1-1568x1568.jpg 1568w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/01\/Biennalen-for-Kunsthaandvaerk-Design_2025_Glas-Museet-for-Glaskunst_photo-Jacob-Friis-Holm-Nielsen_JFH2897_sRGB_web_LR-edited-1-50x50.jpg 50w\" sizes=\"(max-width: 1772px) 100vw, 1772px\" \/><figcaption class=\"wp-element-caption\"><em><sub><em>&#8216;<\/em>Glasskoven&#8217;<em> \/ 20<\/em>25 \/ foto: Jacob Friis-Holm Nielsen<\/sub><\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-6\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:25%\">\n<p>2024 <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Creatures of the Wind<\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\"><strong>da<\/strong><br>Denne serie af bl\u00e6ste glasskulpturer, som er en forts\u00e6ttelse af &#8216;Creatures of the Woods&#8217;, er dedikeret til luftens element, som er s\u00e5 present i den havneby, hvor de er skabt (K\u00f8benhavn). <\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\">Denne serie eksperimenter med nye farver og former, og str\u00e6ber efter et mere sv\u00e6vende udtrryk.<\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\"><strong>eng<\/strong><br>&#8216;Creatures of the Wind&#8217; is a continuation of the work; Creatures of the Woods. This body of work, is dedicated to the element of the wind, ever present with  in the coastal city of Copenhagen, where it is created. <br><br>Building on the techniques earlier  developed, this series experiment with new colors and shapes, striving for a more ethereal expression. <\/h2>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large is-resized is-style-default\"><a href=\"https:\/\/laurasonnelund.dk\/?portfolio=2024-creatures-of-the-wind\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/02\/2024-creaturesofthewind3-the-drive01-768x1024.jpg\" alt=\"\" class=\"wp-image-4814\" width=\"532\" height=\"709\" srcset=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/02\/2024-creaturesofthewind3-the-drive01-768x1024.jpg 768w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/02\/2024-creaturesofthewind3-the-drive01-225x300.jpg 225w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/02\/2024-creaturesofthewind3-the-drive01-1152x1536.jpg 1152w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/02\/2024-creaturesofthewind3-the-drive01-1536x2048.jpg 1536w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/02\/2024-creaturesofthewind3-the-drive01-1568x2091.jpg 1568w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/02\/2024-creaturesofthewind3-the-drive01-scaled.jpg 1920w\" sizes=\"(max-width: 532px) 100vw, 532px\" \/><\/a><figcaption class=\"wp-element-caption\"><span><sub style=\"\"><i>&#8216;Creatures of the Wind 3 \/ The Drive\u2019 \/ 2024 \/ blown glass w sandblasted surface \/ 40x25x15 cm<\/i><\/sub><\/span><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/2024-creaturesofthewind1-the-dream01-768x1024.jpg\" alt=\"\" class=\"wp-image-4946\" width=\"532\" height=\"709\" srcset=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/2024-creaturesofthewind1-the-dream01-768x1024.jpg 768w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/2024-creaturesofthewind1-the-dream01-225x300.jpg 225w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/2024-creaturesofthewind1-the-dream01-1152x1536.jpg 1152w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/2024-creaturesofthewind1-the-dream01-1536x2048.jpg 1536w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/2024-creaturesofthewind1-the-dream01-1568x2091.jpg 1568w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/2024-creaturesofthewind1-the-dream01-scaled.jpg 1920w\" sizes=\"(max-width: 532px) 100vw, 532px\" \/><figcaption class=\"wp-element-caption\"><em><sub>&#8216;Creatures of the Wind 1 \/ The Dream\u2019 \/ 2024 \/ <em>blown glass w sandblasted surface \/<\/em><\/sub><\/em> <em><sub>40x16x13 cm<\/sub><\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-twentytwentyone-separator-thick\"\/>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-9\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:25%\">\n<p>2024 <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">V\u00e6ggen (The Wall)<\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\"><strong>da<\/strong><br>&#8216;V\u00e6ggen&#8217; er en duo i glas og papir, som unders\u00f8ger en faldende bev\u00e6gelse der opst\u00e5r n\u00e5r man giver slip p\u00e5 noget. <br><br>Graalv\u00e6rket er inspireret af den \u00f8strigske forfatter Marlen Haushofers roman af samme navn fra 1963. I trykket gentages motivet fra graalen \u00f8verst oppe, og derfra udfolder sig et abstrakt narrativ, der kredser om forholdet mellem mennesker og natur.<\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\"><strong>eng<\/strong><br>&#8216;The Wall&#8217; is a duo in glass and paper, investigating the movement of loosing or letting go of something<\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\">The graalpiece is inspired by the reading of Austrian writer Marlon Haushofer\u2019s novel, The Wall (1963). In the wallpaper, I repeat the motif of the graal in the top, and let a sort of narrative unfold, following the same movement, the movement of letting go, of falling, into being or into this thing, that we call nature.<\/h2>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/laurasonnelund.dk\/?portfolio=2024-vaeggen\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/02\/20240424_130008-768x1024.jpg\" alt=\"\" class=\"wp-image-4873\" width=\"532\" height=\"709\" srcset=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/02\/20240424_130008-768x1024.jpg 768w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/02\/20240424_130008-225x300.jpg 225w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/02\/20240424_130008-1152x1536.jpg 1152w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/02\/20240424_130008-1536x2048.jpg 1536w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/02\/20240424_130008-1568x2091.jpg 1568w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/02\/20240424_130008-scaled.jpg 1920w\" sizes=\"(max-width: 532px) 100vw, 532px\" \/><\/a><figcaption class=\"wp-element-caption\"><sub><br><em>\u2018V\u00e6ggen\u2019 \/ <\/em>Wild Horses Gallery \/ GLASSMEETING NR. 3 &#8211; Refractions, 2024<\/sub><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/20240403_150722-768x1024.jpg\" alt=\"\" class=\"wp-image-4947\" width=\"532\" height=\"709\" srcset=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/20240403_150722-768x1024.jpg 768w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/20240403_150722-225x300.jpg 225w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/20240403_150722-1152x1536.jpg 1152w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/20240403_150722-1536x2048.jpg 1536w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/20240403_150722-1568x2090.jpg 1568w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/20240403_150722-scaled.jpg 1920w\" sizes=\"(max-width: 532px) 100vw, 532px\" \/><figcaption class=\"wp-element-caption\"><em><sub>&#8216;V\u00e6ggen (The Wall)\u2019 \/ 2024 \/ <em>blown glass w. graal technique \/<\/em><\/sub><\/em> <em><sub>20,5&#215;16 cm<\/sub><\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-twentytwentyone-separator-thick\"\/>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-12\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:25%\">\n<p>2022 <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Creatures of the Woods<\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\"><strong>da<\/strong><br>&#8216;Creatures of the Woods&#8217; er en skulpturel unders\u00f8gelse af relationen mellem glasset, menneskekroppen og de store skove der traditionelt set har skabt vilk\u00e5rene for glaspusterfagets udbredelse i Europa. Denne unders\u00f8gelse tager sit \u00e6stetiske udgangspunkt i det umiddelbare m\u00f8de mellem kroppe i forskellige materialer og den nysgerrighed der v\u00e6kkes i m\u00f8det med hulrum og halvgennemsigtige \u00e5bninger.&nbsp;<br><br>De er lavet ved en videreudvikling af en traditionel teknik, hvor man kortvarigt suger luften ud af glasboblen, s\u00e5 der dannes tuber og r\u00f8r. Derefter er toppen dryppet med vand, og krakeleret, for at \u00e5bne op for disse hulrum. Den sandbl\u00e6ste overflade, giver v\u00e6rkerne en vis sanselig bl\u00f8dhed, knogler eller organer, og r\u00e6kker s\u00e5ledes selv ud mod en form for kropslighed.&nbsp;<\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\"><strong>eng<\/strong><br>&#8216;Creatures of the Woods&#8217; is a sculptural exploration of the relationship between glass, the human body, and the forests that traditionally provided the conditions for the glassblowing industry in Europe. <\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\">This investigation takes its aesthetic starting point in the immediate encounter between bodies of different materials and the curiosity awakened by the encounter with cavities and semi-transparent openings.<\/h2>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/230330_UKURANT_15_0345-1-819x1024.jpg\" alt=\"\" class=\"wp-image-4950\" width=\"532\" height=\"709\"\/><figcaption class=\"wp-element-caption\"><sub><em>&#8216;Creatures of the Woods&#8217; photo by Peter Vinter \/ Ukurant, 2023<\/em><\/sub><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"682\" src=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/05\/Skaermbillede-2025-11-29-kl.-11.15.02-1024x682.png\" alt=\"\" class=\"wp-image-5521\" srcset=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/05\/Skaermbillede-2025-11-29-kl.-11.15.02-1024x682.png 1024w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/05\/Skaermbillede-2025-11-29-kl.-11.15.02-300x200.png 300w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/05\/Skaermbillede-2025-11-29-kl.-11.15.02-768x512.png 768w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/05\/Skaermbillede-2025-11-29-kl.-11.15.02-1536x1023.png 1536w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/05\/Skaermbillede-2025-11-29-kl.-11.15.02-2048x1364.png 2048w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2026\/05\/Skaermbillede-2025-11-29-kl.-11.15.02-1568x1044.png 1568w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator alignfull has-text-color has-gray-color has-alpha-channel-opacity has-gray-background-color has-background is-style-twentytwentyone-separator-thick\"\/>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-15\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:25%\">\n<p>2022 <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Captured Landscapes<\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-dark-gray-color has-text-color has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\"><strong>eng<\/strong><br>Installation made out of 24 individual squared objects blown onto wood from the area where they are made.<\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-dark-gray-color has-text-color has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\">I am curious about the human need to dwell in and domesticate nature, and I would like to imagine how the landscape itself is feeling &#8211; when there is no humans around, is it then still a landscape?&nbsp;<\/h2>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"768\" src=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2024\/08\/portraet-med-squares-3-1024x768.jpg\" alt=\"\" class=\"wp-image-4625\" srcset=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2024\/08\/portraet-med-squares-3-1024x768.jpg 1024w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2024\/08\/portraet-med-squares-3-300x225.jpg 300w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2024\/08\/portraet-med-squares-3-768x576.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><sub><em>&#8216;Captured Landscapes&#8217; \/ Photo by Louise Lang \/ GLASSMEETING NR. 1 &#8211; Artificial Structures, 2022<\/em><\/sub><\/figcaption><\/figure>\n\n\n\n<p>  <\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator alignfull has-text-color has-gray-color has-alpha-channel-opacity has-gray-background-color has-background is-style-twentytwentyone-separator-thick\"\/>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-18\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:25%\">\n<p>2016 <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Vaser til tid<\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-dark-gray-color has-text-color has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\"><strong>da<\/strong><br>&#8216;Vaser til tid&#8217; er tre sm\u00e5 vaser, der leger med glassets materialitet. Hvordan boblens masse er fordelt, tydeligg\u00f8res og fastfryses indenfor ganske kort tid, n\u00e5r luften suges ud af boblen, og danner vakuum, tuber og r\u00f8r. <\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-dark-gray-color has-text-color has-extra-small-font-size\" style=\"font-style:normal;font-weight:100\"><strong>eng<\/strong><br>&#8216;Vessels for time&#8217; is a play with the materiality of glass. By sucking in the air of the glass bubble, the distribution of mass is revaeled within a split-second, and frozen in time.<\/h2>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"682\" src=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/20160726_0184-1024x682.jpg\" alt=\"\" class=\"wp-image-4978\" srcset=\"https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/20160726_0184-1024x682.jpg 1024w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/20160726_0184-300x200.jpg 300w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/20160726_0184-768x512.jpg 768w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/20160726_0184-1536x1023.jpg 1536w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/20160726_0184-1568x1044.jpg 1568w, https:\/\/laurasonnelund.dk\/wp-content\/uploads\/2025\/09\/20160726_0184.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><sub><em>&#8216;Vaser til tid&#8217; \/ Photo by Anders Lund, 2016<\/em><\/sub><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator alignfull has-text-color has-gray-color has-alpha-channel-opacity has-gray-background-color has-background is-style-twentytwentyone-separator-thick\"\/>\n","protected":false},"excerpt":{"rendered":"<p>2025 Glasskoven da\u201cGlasskoven\u201d er en hyldest til skovbunden og forbindelsen mellem glasset og skovene. Forbindelsen er i f\u00f8rste omgang materiel: Skovene har dannet rammen om udviklingen af glaspusterindustrien i Skandinavien og Europa. Og mange steder kan man finde sm\u00e5 stykker waldglas med samme gr\u00f8nlige sk\u00e6r som det jernholdige kvarts i skovbunden, der blev blandet i&hellip; <a class=\"more-link\" href=\"https:\/\/laurasonnelund.dk\/?page_id=3784\">L\u00e6s mere <span class=\"screen-reader-text\">PORTFOLIO<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/laurasonnelund.dk\/index.php?rest_route=\/wp\/v2\/pages\/3784"}],"collection":[{"href":"https:\/\/laurasonnelund.dk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/laurasonnelund.dk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/laurasonnelund.dk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/laurasonnelund.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3784"}],"version-history":[{"count":106,"href":"https:\/\/laurasonnelund.dk\/index.php?rest_route=\/wp\/v2\/pages\/3784\/revisions"}],"predecessor-version":[{"id":5537,"href":"https:\/\/laurasonnelund.dk\/index.php?rest_route=\/wp\/v2\/pages\/3784\/revisions\/5537"}],"wp:attachment":[{"href":"https:\/\/laurasonnelund.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}